Muriel Anderson, Part 2: Artificial Harmonics Lesson

from: Advanced Fingerstyle Workshop with Teja Gerken

This lesson is part of the course Advanced Fingerstyle Workshop with Teja Gerken.

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Meet 15 of the best players in the international fingerstyle guitar community, as they demonstrate their techniques, playing styles, and signature tunes.

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ED GERHARD

In this lesson, Ed Gerhard teaches his popular fingerstyle arrangement of the traditional tune “The Water is Wide.” Gerhard used dropped-D tuning and a capo at the third fret. Because he tunes his guitar down a half-step from standard pitch, this results in his performance sounding in the key of E. If you prefer, you can leave your guitar in standard dropped-D tuning and place the capo at the second fret instead. Gerhard stresses the importance of supporting the tune’s melody and gives pointers for effectively building an arrangement in a dynamic fashion. virtuerecords.com

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MURIEL ANDERSON

Muriel Anderson, Part 1: “Two Shores”

Muriel Anderson, Part 2: Artificial Harmonics Lesson

Muriel Anderson, Part 3: “A Baker’s Dozen”

Muriel Anderson, Part 4: Muriel’s Mike Doolin Harp Guitar

Muriel Anderson, Part 2: Artificial Harmonics Lesson

Muriel Anderson’s composition “Two Shores” makes use of an advanced method of playing artificial harmonics to create a huge, ringing, harp-like sound. In this lesson, Muriel teaches the technique, which combines elements of techniques used by Chet Atkins and Lenny Breau. She explains the basic technique using open strings, and shows you how she uses it on the beginning of the second part of “Two Shores” (starting at measure 52). murielanderson.com

"Two Shores" (Available to subscribers)

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