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I Am a Pilgrim, Part 2: Clarence White Style 


This lesson is part of the course Advanced Flatpicking Guitar with Scott Nygaard.
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Learn the essential techniques of bluegrass flatpicking guitar through classic and lesser-known songs and tunes, from bluegrass blues to old-time fiddle tunes to country swing sounds.

 
 
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Home Sweet Home
 
In Part 2 of the lesson on crosspicking, you'll learn the first part of Scott's arrangement of "Home Sweet Home," which mostly uses the traditional 3-3-2 roll. Since crosspicking is usually used to play song melodies, it's a good idea to learn the melody of a song before tackling a crosspicking arrangement, so Scott starts by making sure you know the melody to "Home Sweet Home" and then takes the arrangement apart phrase by phrase (or roll by roll).
 
 
 
The Advanced Flatpicking Guitar Subscription Includes:
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  • 67 complete tunes and/or solos
  • Lessons on learning the fingerboard geared toward bluegrass and roots musicians
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I Am a Pilgrim  
 
I Am a Pilgrim  
 
I Am a Pilgrim, Part 2: Clarence White Style 
I Am a Pilgrim, Part 2: Clarence White Style 
 
There are numerous recordings of Clarence playing “I Am a Pilgrim.” One of the best is from a Los Angeles TV show, Bob Baxter’s Guitar Workshop, recorded just before Clarence’s death in 1973. Check out that clip here for a great look at how Clarence played. Clarence never played “I Am a Pilgrim” the same way twice, so instead of learning one specific Clarence solo for “I Am a Pilgrim,” in this lesson you’ll learn a sort of “compilation” solo with many of the things he would play. So even though he never played a solo exactly like the one here, everything in this solo is something he played at one time on “I Am a Pilgrim.” Part of the problem with transcribing complete solos to Clarence’s “I Am a Pilgrim” is that some of his timing and syncopation is almost impossible to reproduce. While some of the syncopations are fairly straightforward (hitting notes on the ands of the beats you’d usually expect them to fall on and using a lot of three-against-four patterns that cross bar lines), at times he almost seemed to be playing rubato (without a fixed pulse) while his accompaniment was playing steady time behind him. This gives his playing a very free and “vocal” quality, with the sort of rhythmic liberties that singers often take. Scott takes the Clarence White style solo to “I Am a Pilgrim” apart phrase by phrase, explaining Clarence’s timing, and showing you how his melodic variations relate to the basic melody.

  "I Am a Pilgrim" Clarence White Style (Available to subscribers)
 
 
 

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    ● Courses
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    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
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    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
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