Intro to Open-G Tuning, “Spanish Fandango”: Part 2: Basic Arrangement

from: Alternate Tunings Fingerstyle Guitar with Doug Young

This lesson is part of the course Alternate Tunings Fingerstyle Guitar with Doug Young.

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Alternate tunings can create beautiful guitar sounds that are impossible in standard tuning, and make some things easier to play. You’ll learn to play fingerstyle melodies in a variety of popular alternate tunings, including favorites like dropped D, DADGAD, and open G, as well as more unusual tunings.

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Blind Mary

The second part of “Blind Mary” includes a Bm7 chord and a Gmaj7/B chord. Doug walks you through the B part of “Blind Mary” phrase by phrase in this video.

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The Alternate Tunings Fingerstyle Guitar Subscription Includes:

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Arrangements of 25 Celtic, folk, and popular songs that illustrate the tunings
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Lessons in a variety of alternate tunings, including dropped D, DADGAD, open G, and many more
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Intro to Open-G Tuning, “Spanish Fandango”

Intro to Open-G Tuning, “Spanish Fandango”: Part 1

Intro to Open-G Tuning, “Spanish Fandango”: Part 2: Basic Arrangement

Intro to Open-G Tuning, “Spanish Fandango”: Part 3: Variations

“Spanish Fandango” Play-Along Track

Intro to Open-G Tuning, “Spanish Fandango”: Part 2: Basic Arrangement

The melody of “Spanish Fandango” is very simple and can be played entirely on the first string. It’s accompanied by a picking pattern in 3/4 time that repeats throughout the song. The A section consists of G and D7 chords, played open, while the B section starts with a C chord played with a barre across all strings at the fifth fret. The B section includes D and B chords also played with a six-string barre.

Previous Lesson

← Intro to Open-G Tuning, “Spanish Fandango”: Part 1

Next Lesson

Intro to Open-G Tuning, “Spanish Fandango”: Part 3: Variations →

Previous Lesson

← Intro to Open-G Tuning, “Spanish Fandango”: Part 1

Next Lesson

Intro to Open-G Tuning, “Spanish Fandango”: Part 3: Variations →

Previous Lesson

← Intro to Open-G Tuning, “Spanish Fandango”: Part 1

Next Lesson

Intro to Open-G Tuning, “Spanish Fandango”: Part 3: Variations →