DADGAD tuning is associated with Celtic guitar more than any other tuning. In this lesson, Tony talks about how the tuning originated, how to get into DADGAD, and what you can do with it. Tony uses DADGAD to play jigs, reels, airs, etc., and he demonstrates how the whole step between the second string A and third string G makes it easy to play melodies across the strings, for a harp-like sound. He shows you a D major scale played in such a way that no string is played twice in a row: every note of the scale rings into the next note. He even shows you how you can play a Bb major scale in the same way.
| |
DADGAD Examples (Available to subscribers)
|
