Mary Evelyn

from: Contemporary Bluegrass Banjo with Wes Corbett

This lesson is part of the course Contemporary Bluegrass Banjo with Wes Corbett.

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About This Course

Learn the style of contemporary three-finger banjo used by Béla Fleck, Noam Pikelny, Ron Block, and others. With lessons on single-string and melodic style, fingerboard theory, improvisation, and more. For intermediate to advanced players.

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VARIATIONS ON “CRIPPLE CREEK”

Wes shows you some ways to vary the melody of “Cripple Creek” and introduces the concept of “melodic style” banjo. Melodic-style was invented by banjoist Bill Keith, who devised a way to play linear note-for-note melodies where you never play the same string consecutively. Wes walks you through the variations phrase by phrase, pointing out how each variation relates to the original melody.

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The Contemporary Bluegrass Banjo Subscription Includes:

More than 40 extensive lessons in the three-finger style used by Béla Fleck, Noam Pikelny, Ron Block, and others
Essential right- and left-hand technique lessons
Theory and fingerboard lessons relevant to contemporary banjo
30 complete tunes to play
Detailed tablature for every lesson
High-quality video with multiple camera angles so you can see closeups of both hands in action
Play-Along Tracks so you can practice what you’ve learned

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Mary Evelyn

An original tune from Wes’s new solo album, “Mary Evelyn” is named for his grandmother. It’s in the key of E major and combines melodic and single-string styles as well as roll patterns, in particular a t-i-m-t-i-t-m-i pattern. On the record, Wes plays “Mary Evelyn” with a capo at the second fret and the fifth string tuned up to A, but for this lesson he teaches it without a capo, putting it in the key of D major.

“Mary Evelyn” (Available to subscribers)