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Movable Chord Shapes and Bass Lines, Part 1


This lesson is part of the course Irish Backup Guitar with Flynn Cohen.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 

Learn to accompany jigs and reels and other traditional Irish dance tunes in the style pioneered by Irish guitar greats Paul Brady, Mícheál Ó Dhomhnaill, and Dáithí Sproule and used at Irish seisiúns. With chord voicings, rhythm patterns, and practice tracks.

 
 
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THE JIG RHYTHM
 
Jigs are the other most commonly played dance form in Irish traditional music. The 6/8 jig rhythm is unique and has a specific strumming pattern and a particular feel. Beginning jig players often use an alternating picking pattern, but to get the right feel, it’s usually better to use a down-up-down, down-up-down pattern. Flynn demonstrates the pattern and gives you a couple of exercises to help you get used to the pattern.
 
 
 
The Irish Backup Guitar Subscription Includes:
  • A step-by-step approach to mastering Irish backup guitar technique
  • 36 extensive video lessons using dropped-D tuning and DADGAD
  • Lessons on accompanying 29 traditional Irish tunes, including reels, jigs, hornpipes, O'Carolan tunes, and more
  • Tab/notation and/or chord charts for all lessons
  • High-quality video with multiple camera angles so you can see closeups of both hands in action
  • Play-Along Tracks so you can practice what you’ve learned
 
 
$20/Month For One Course
 
Additional courses only $10/month each!   •   Save 20% with an annual subscription
 
 
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MOVABLE CHORD SHAPES AND BASS LINES  
 
MOVABLE CHORD SHAPES AND BASS LINES  
 
Movable Chord Shapes and Bass Lines, Part 1
Movable Chord Shapes and Bass Lines, Part 1
 
Flynn shows you how to use the movable chord shapes you learned in the last lesson to create bass lines, using the jig “The Connachtman’s Rambles” and the reel “The Otter’s Holt” as examples. He starts by showing you bass lines moving from the I up to the IV (D–Em–F#m–G) and the V up to the I (A–Bm–C#m–D), explaining that I–IV and V–I have the same pattern of steps (whole–whole–half) and chords (major–minor–minor–major). 

  Movable Chord Shapes and Bass Lines (Available to subscribers)
 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
Peghead Nation logo
 
© Copyright 2024 PegheadNation.com