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Session 8: Final Session


This lesson is part of the course Melodic and Single-String Banjo with Bill Evans.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Learn the two bluegrass banjo techniques that were added to Scruggs-style to create exciting bluegrass music from the 1950s to the present day, melodic-style and single-string.
 
 
Try a Sample Lesson
Session 3: Melodic Style in the keys of C, D, and A
 

Bill shows you his melodic-style versions of “Arkansas Traveler” and “Red Haired Boy” in this video. 

 
 
 
The Melodic and Single-String Banjo Subscription Includes:
  • An in-depth look at melodic and single-string banjo, starting with the basics and moving on to more advanced techniques
  • Four sessions on melodic style, and four sessions on single-string style
  • High-quality video recordings of each session so you can review what you've learned and revisit them after the workshop has concluded
  • Tablature for all tunes and techniques taught
  • Basic techniques for both single-string and melodic-style banjo
  • Advanced melodic-style positions that players like Noam Pikelny, Tony Trischka, Béla Fleck, and most contemporary bluegrass banjo players use
  • Single-string scale positions based on chord positions in closed and open positions, in different keys, and up and down the neck
 
 
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Session 8: Final Session  
 
Session 8: Final Session  
 
Session 8: Final Session
Session 8: Final Session
 

In the final session of Melodic and Single-String Banjo, you’ll look at a variety of things using both styles. Bill begins by showing you a series of box exercises in four-, five-, and, seven-note groups that will get you moving up and down the banjo neck quickly using single-string techniques. He also shows you his single-string, G minor tune “Scotland Yard,” a melodic version of the old-time fiddle tune “Garfield’s Blackberry Blossom,” and some “chromatic” banjo licks.

 

Session 8 audio links:

 

“Scotland Yard” by Bill Evans from “Native and Fine” 

 

“Garfield’s Blackberry Blossom” by Ed Haley (a very scratchy field recording!) 

 

“Garfield’s Blackberry Blossom” by the Nashville Bluegrass Band (contemporary version with fiddler Stuart Duncan, mandolin player Mike Compton, and banjo player Alan O’Bryant).

 

“Fine Times at Fletcher’s House”  (full album) Fletcher Bright & Bill Evans 

 

“Songs That Are Mostly Older Than Us” (full album) Fletcher Bright & Bill Evans with Norman and Nancy Blake 

 


  Single-String Box Exercises Tab (Available to subscribers)
 
  “Scotland Yard” Tab (Available to subscribers)
 
  "Garfield's Blackberry Blossom" Tab (Available to subscribers)
 
  Blues and Chromatic Banjo Tab (Available to subscribers)
 
 
 

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Banjo Videos

 
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Peghead Nation's Contemporary Bluegrass Banjo instructor Wes Corbett joins Sam Bush on a classic John Hartford song.
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
Peghead Nation logo
 
© Copyright 2024 PegheadNation.com