Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup

This lesson is part of the course Octave Mandolin with Joe K. Walsh.

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Learn to transfer what you know on the mandolin to its bigger cousin and how to exploit the octave mandolin’s potential for more complex, guitar-oriented accompaniment styles. For intermediate mandolin, fiddle, or guitar players with a basic knowledge of their instrument.

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Inverness

“Inverness” comes from fiddler/mandolinist John Mailander, who recorded it on his album Walking Distance. It’s a beautiful, contemplative melody that alternates measures of 6/4 and 4/4. Joe walks you through the second part of “Inverness” in this video.

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Octave mandolin versions of bluegrass, trad folk, and jazz tunes
Instruction on guitar-based accompaniment styles, including the use of the capo
Notation/Tablature for all lessons
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Song Accompaniment in C: “Cold, Cold Heart”

Song Accompaniment in C: “Cold, Cold Heart,” Part 1: Melody

Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup

Song Accompaniment in C: “Cold, Cold Heart,” Part 4: Play-Along Track

Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup

Joe gives you a few examples of using double stops to backup a singer by playing along with singer/guitarist Isa Burke as she sings “Cold, Cold Heart.”

Previous Lesson

← Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

Next Lesson

Song Accompaniment in C: “Cold, Cold Heart,” Part 4: Play-Along Track →

Previous Lesson

← Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

Next Lesson

Song Accompaniment in C: “Cold, Cold Heart,” Part 4: Play-Along Track →

Previous Lesson

← Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

Next Lesson

Song Accompaniment in C: “Cold, Cold Heart,” Part 4: Play-Along Track →