Verona, Part 2

This lesson is part of the course Octave Mandolin with Joe K. Walsh.

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Learn to transfer what you know on the mandolin to its bigger cousin and how to exploit the octave mandolin’s potential for more complex, guitar-oriented accompaniment styles. For intermediate mandolin, fiddle, or guitar players with a basic knowledge of their instrument.

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Inverness

“Inverness” comes from fiddler/mandolinist John Mailander, who recorded it on his album Walking Distance. It’s a beautiful, contemplative melody that alternates measures of 6/4 and 4/4. Joe walks you through the second part of “Inverness” in this video.

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More than 40 lessons on adapting mandolin techniques, scales, arpeggios, and chords to the octave mandolin
41 complete octave mandolin tunes as played by great octave mandolin players like Sarah Jarosz, Chris Thile, Sierra Hull, Tim O’Brien, Darol Anger, and more
Octave mandolin versions of bluegrass, trad folk, and jazz tunes
Instruction on guitar-based accompaniment styles, including the use of the capo
Notation/Tablature for all lessons
Play-along tracks so you can practice what you’re learning
High-quality video with multiple camera angles so you can see closeups of both hands in action

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Verona

Verona, Part 1

Verona, Part 2

Verona, Part 3: Melody Play-Along Track

Verona, Part 4: Variations and Comping

Verona, Part 5: Rhythm Play-Along Track

Verona, Part 2

The second part (bridge) of “Verona” consists of one motif that is repeated three times, but with different chords. Joe shows you the motif and then shows you a few movable chord voicings that sound great and are easy to finger on the octave mandolin.

Previous Lesson

← Verona, Part 1

Next Lesson

Verona, Part 3: Melody Play-Along Track →

Previous Lesson

← Verona, Part 1

Next Lesson

Verona, Part 3: Melody Play-Along Track →

Previous Lesson

← Verona, Part 1

Next Lesson

Verona, Part 3: Melody Play-Along Track →