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Diatonic Scale Positions, Week Five 


This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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DIATONIC SCALE POSITIONS   
 
DIATONIC SCALE POSITIONS   
 
Diatonic Scale Positions, Week Five 
Diatonic Scale Positions, Week Five 
 
Continuing on with the diatonic scale position workouts, we’ve now reached the fifth step of the scale: the D (in the key of G). This puts the index finger at the tenth fret and the ring finger at the 12th fret. The position is similar to the position based on the root (from Week One) but, because we’re starting on the fifth of the scale, we’re playing the dominant scale or Mixolydian mode, so the seventh is flatted. This position is great for playing dominant-seventh lines. Example 1 is a major scale line that dips below the anchor position to get the E note at the ninth fret of the third string. Example 2 outlines a progression starting on the V chord this time: D–G–Em–C–Bm–Am–D–G.

  Diatonic Scale Positions, Week Five (Available to subscribers)
 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
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    ● Inside Look
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© Copyright 2024 PegheadNation.com