In this lesson Sharon talks to you about the importance of knowing about seventh chords, and how Bill Monroe used dominant seventh arpeggios to create a bluesy sound. You’ll learn some dominant seventh arpeggios for the I, IV, and V (A, D, and E) chords in the key of A. Sharon gives you ideas about practicing the arpeggios, two strings at a time, for example, and noticing the relationships between the notes of the arpeggios, as well as the fingering of the arpeggios. Use the downloadable audio rhythm tracks below to practice your arpeggios in the keys of A, D, and E.